.png "Nowadays, it is generally known that Columbus was not the first to discover America. In the course of centuries, almost every seafaring culture set out to the American continents. In the last few years, direct traces have been discovered which lead from India directly into the heart of the Maya Culture of Central America. In the scriptures of South India, countries located south of India and their relation to the Vedic culture were mentioned. Following these traces, the renowned Vedic architect Dr. V. Ganapati Sthapati travelled to Peru in spring of 1995. His ancestors had built the big Shiva temple in Tanjore approximately a thousand years ago, and he himself continues to build temples all over the world according to the same principles of Vedic architecture. Merely studying old Sanskrit and Tamil scriptures on architecture caused him to assume that there had to be a connection between South America and India. Not only is its plot based exactly on the same geometric matrix, the Vasatipurusha Mandala, but also its form is identical to the South Indian Vimana (temple domes) even in detail. Furthermore, there are amazing similarities in measurements. Dr. Sthapati discovered that the South-Indian measure/rule (Kishku yardstick approx. 33 inches) was used mainly in the Peruvian region of Kushku. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Considering so many similarities, it is hard to believe in an accident as an explanation. In addition, also the techniques applied by the Maya to erect their buildings and to hammer their huge stones for temples and pyramids are identical to those still taught and applied by Dr. Sthapati today. They have been described by Maya Danava in his books on Vasati. Did Maya Danava really travel from South India to Peru, or did he originally come from South America to become a famous architect in India later? This question can only be answered if we take into account the mystical personality of Maya Danava. According to historical records of the Vedic culture, Maya Danava’s influence on man was prevailing for 8000 years. But at the same time, he is described as a being from another planetary system who is equipped with all sorts of mystic powers and with an astronomic life span. Had the same Maya Danava first worked as an architect in South India and published Vedic texts in order to contribute later to the development of the Maya Culture in Central America, which shows a number of similarities with the Vedic India also in fields different from architecture? It is also very interesting to have a closer look at a linguistic comparison. Even today there are a number of words in the Maya language that indicate a relation to the Vedic culture. The Maya word K’ultanlini refers to the divine power and has obvious similarities to the Sanskrit word Kundalini which also refers to the life power and the power of consciousness. The Sanskrit term yoga can be found again in the Maya word Yok’hah, which means at the top of the truth. For our considerations, it is most interesting to investigate the connection between the Maya word Chilambalam which is the name for the temple room of the caste-pyramid Chichen Itza. This pyramid has the same plot as a South Indian temple vimana. Both are based on a grid consisting of 8 x 8 squares. In Vasati such a square grid is called Manduka Mandala, the frog mandala. The center is formed by a square made of four squares, which corresponds to the Brahmasthana, the place of Brahma. At this location, the divine energy is so strong that it is not suitable for people to live there. Both in the Vasati temples and in the Maya pyramids the most sacred place of the whole structure is located exactly in this square. The Mayas call this area Chilambalam, which means sacred room. This room is cubic and corresponds to the original form of the room itself in Vasati. Adhering to this principle, there is a Shiva temple in South India in which the sacred room or the room of consciousness is being worshiped. This temple with immaculate proportions is called Chidambaram and ranks amongst the most famous Vasati temples of South India next to Shri Rangam. The same concept of the sacred room or hall of consciousness was called Chilambalam by the Mayas. Another perplexing parallel.")
Nowadays, it is generally known that Columbus was not the first to discover America. In the course of centuries, almost every seafaring culture set out to the American continents. In the last few years, direct traces have been discovered which lead from India directly into the heart of the Maya Culture of Central America.
In the scriptures of South India, countries located south of India and their relation to the Vedic culture were mentioned. Following these traces, the renowned Vedic architect Dr. V. Ganapati Sthapati travelled to Peru in spring of 1995. His ancestors had built the big Shiva temple in Tanjore approximately a thousand years ago, and he himself continues to build temples all over the world according to the same principles of Vedic architecture. Merely studying old Sanskrit and Tamil scriptures on architecture caused him to assume that there had to be a connection between South America and India.
.png "Nowadays, it is generally known that Columbus was not the first to discover America. In the course of centuries, almost every seafaring culture set out to the American continents. In the last few years, direct traces have been discovered which lead from India directly into the heart of the Maya Culture of Central America. In the scriptures of South India, countries located south of India and their relation to the Vedic culture were mentioned. Following these traces, the renowned Vedic architect Dr. V. Ganapati Sthapati travelled to Peru in spring of 1995. His ancestors had built the big Shiva temple in Tanjore approximately a thousand years ago, and he himself continues to build temples all over the world according to the same principles of Vedic architecture. Merely studying old Sanskrit and Tamil scriptures on architecture caused him to assume that there had to be a connection between South America and India. Not only is its plot based exactly on the same geometric matrix, the Vasatipurusha Mandala, but also its form is identical to the South Indian Vimana (temple domes) even in detail. Furthermore, there are amazing similarities in measurements. Dr. Sthapati discovered that the South-Indian measure/rule (Kishku yardstick approx. 33 inches) was used mainly in the Peruvian region of Kushku. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Considering so many similarities, it is hard to believe in an accident as an explanation. In addition, also the techniques applied by the Maya to erect their buildings and to hammer their huge stones for temples and pyramids are identical to those still taught and applied by Dr. Sthapati today. They have been described by Maya Danava in his books on Vasati. Did Maya Danava really travel from South India to Peru, or did he originally come from South America to become a famous architect in India later? This question can only be answered if we take into account the mystical personality of Maya Danava. According to historical records of the Vedic culture, Maya Danava’s influence on man was prevailing for 8000 years. But at the same time, he is described as a being from another planetary system who is equipped with all sorts of mystic powers and with an astronomic life span. Had the same Maya Danava first worked as an architect in South India and published Vedic texts in order to contribute later to the development of the Maya Culture in Central America, which shows a number of similarities with the Vedic India also in fields different from architecture? It is also very interesting to have a closer look at a linguistic comparison. Even today there are a number of words in the Maya language that indicate a relation to the Vedic culture. The Maya word K’ultanlini refers to the divine power and has obvious similarities to the Sanskrit word Kundalini which also refers to the life power and the power of consciousness. The Sanskrit term yoga can be found again in the Maya word Yok’hah, which means at the top of the truth. For our considerations, it is most interesting to investigate the connection between the Maya word Chilambalam which is the name for the temple room of the caste-pyramid Chichen Itza. This pyramid has the same plot as a South Indian temple vimana. Both are based on a grid consisting of 8 x 8 squares. In Vasati such a square grid is called Manduka Mandala, the frog mandala. The center is formed by a square made of four squares, which corresponds to the Brahmasthana, the place of Brahma. At this location, the divine energy is so strong that it is not suitable for people to live there. Both in the Vasati temples and in the Maya pyramids the most sacred place of the whole structure is located exactly in this square. The Mayas call this area Chilambalam, which means sacred room. This room is cubic and corresponds to the original form of the room itself in Vasati. Adhering to this principle, there is a Shiva temple in South India in which the sacred room or the room of consciousness is being worshiped. This temple with immaculate proportions is called Chidambaram and ranks amongst the most famous Vasati temples of South India next to Shri Rangam. The same concept of the sacred room or hall of consciousness was called Chilambalam by the Mayas. Another perplexing parallel.")
Not only is its plot based exactly on the same geometric matrix, the Vasatipurusha Mandala, but also its form is identical to the South Indian Vimana (temple domes) even in detail. Furthermore, there are amazing similarities in measurements.
Dr. Sthapati discovered that the South-Indian measure/rule (Kishku yardstick approx. 33 inches) was used mainly in the Peruvian region of Kushku. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays.
Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays.
Considering so many similarities, it is hard to believe in an accident as an explanation. In addition, also the techniques applied by the Maya to erect their buildings and to hammer their huge stones for temples and pyramids are identical to those still taught and applied by Dr. Sthapati today. They have been described by Maya Danava in his books on Vasati.
Did Maya Danava really travel from South India to Peru, or did he originally come from South America to become a famous architect in India later? This question can only be answered if we take into account the mystical personality of Maya Danava.
According to historical records of the Vedic culture, Maya Danava’s influence on man was prevailing for 8000 years. But at the same time, he is described as a being from another planetary system who is equipped with all sorts of mystic powers and with an astronomic life span. Had the same Maya Danava first worked as an architect in South India and published Vedic texts in order to contribute later to the development of the Maya Culture in Central America, which shows a number of similarities with the Vedic India also in fields different from architecture?
It is also very interesting to have a closer look at a linguistic comparison. Even today there are a number of words in the Maya language that indicate a relation to the Vedic culture. The Maya word K’ultanlini refers to the divine power and has obvious similarities to the Sanskrit word Kundalini which also refers to the life power and the power of consciousness.
The Sanskrit term yoga can be found again in the Maya word Yok’hah, which means at the top of the truth. For our considerations, it is most interesting to investigate the connection between the Maya word Chilambalam which is the name for the temple room of the caste-pyramid Chichen Itza. This pyramid has the same plot as a South Indian temple vimana. Both are based on a grid consisting of 8 x 8 squares.
.png "Nowadays, it is generally known that Columbus was not the first to discover America. In the course of centuries, almost every seafaring culture set out to the American continents. In the last few years, direct traces have been discovered which lead from India directly into the heart of the Maya Culture of Central America. In the scriptures of South India, countries located south of India and their relation to the Vedic culture were mentioned. Following these traces, the renowned Vedic architect Dr. V. Ganapati Sthapati travelled to Peru in spring of 1995. His ancestors had built the big Shiva temple in Tanjore approximately a thousand years ago, and he himself continues to build temples all over the world according to the same principles of Vedic architecture. Merely studying old Sanskrit and Tamil scriptures on architecture caused him to assume that there had to be a connection between South America and India. Not only is its plot based exactly on the same geometric matrix, the Vasatipurusha Mandala, but also its form is identical to the South Indian Vimana (temple domes) even in detail. Furthermore, there are amazing similarities in measurements. Dr. Sthapati discovered that the South-Indian measure/rule (Kishku yardstick approx. 33 inches) was used mainly in the Peruvian region of Kushku. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Residential buildings were also built strictly according to the principles of Vasati, as developed by Maya Danava. Its plots, position of doors and windows, proportions, a form of roofs, inclination angles of roofs, the diameter of columns, the width of walls, etc. are perfectly in accordance with the rules of Vasati, which are still applied in 60% of all houses built in India nowadays. Considering so many similarities, it is hard to believe in an accident as an explanation. In addition, also the techniques applied by the Maya to erect their buildings and to hammer their huge stones for temples and pyramids are identical to those still taught and applied by Dr. Sthapati today. They have been described by Maya Danava in his books on Vasati. Did Maya Danava really travel from South India to Peru, or did he originally come from South America to become a famous architect in India later? This question can only be answered if we take into account the mystical personality of Maya Danava. According to historical records of the Vedic culture, Maya Danava’s influence on man was prevailing for 8000 years. But at the same time, he is described as a being from another planetary system who is equipped with all sorts of mystic powers and with an astronomic life span. Had the same Maya Danava first worked as an architect in South India and published Vedic texts in order to contribute later to the development of the Maya Culture in Central America, which shows a number of similarities with the Vedic India also in fields different from architecture? It is also very interesting to have a closer look at a linguistic comparison. Even today there are a number of words in the Maya language that indicate a relation to the Vedic culture. The Maya word K’ultanlini refers to the divine power and has obvious similarities to the Sanskrit word Kundalini which also refers to the life power and the power of consciousness. The Sanskrit term yoga can be found again in the Maya word Yok’hah, which means at the top of the truth. For our considerations, it is most interesting to investigate the connection between the Maya word Chilambalam which is the name for the temple room of the caste-pyramid Chichen Itza. This pyramid has the same plot as a South Indian temple vimana. Both are based on a grid consisting of 8 x 8 squares. In Vasati such a square grid is called Manduka Mandala, the frog mandala. The center is formed by a square made of four squares, which corresponds to the Brahmasthana, the place of Brahma. At this location, the divine energy is so strong that it is not suitable for people to live there. Both in the Vasati temples and in the Maya pyramids the most sacred place of the whole structure is located exactly in this square. The Mayas call this area Chilambalam, which means sacred room. This room is cubic and corresponds to the original form of the room itself in Vasati. Adhering to this principle, there is a Shiva temple in South India in which the sacred room or the room of consciousness is being worshiped. This temple with immaculate proportions is called Chidambaram and ranks amongst the most famous Vasati temples of South India next to Shri Rangam. The same concept of the sacred room or hall of consciousness was called Chilambalam by the Mayas. Another perplexing parallel.")
In Vasati such a square grid is called Manduka Mandala, the frog mandala. The center is formed by a square made of four squares, which corresponds to the Brahmasthana, the place of Brahma. At this location, the divine energy is so strong that it is not suitable for people to live there.
Both in the Vasati temples and in the Maya pyramids the most sacred place of the whole structure is located exactly in this square. The Mayas call this area Chilambalam, which means sacred room. This room is cubic and corresponds to the original form of the room itself in Vasati.
Adhering to this principle, there is a Shiva temple in South India in which the sacred room or the room of consciousness is being worshiped. This temple with immaculate proportions is called Chidambaram and ranks amongst the most famous Vasati temples of South India next to Shri Rangam. The same concept of the sacred room or hall of consciousness was called Chilambalam by the Mayas. Another perplexing parallel.
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Hinduism